![]() ![]() Interesting shapes can be created by changing the filter slope to a value other than the default of 12dB/Oct but I suspect that most users stick with the default bell filter for most of their work. The default filter shape is a bell filter, a parametric band with a default Q of 1. Pro-Q3 has up to 24 bands of EQ, it opens with none and to create a filter you just double-click. Not all of them are big, attention-grabbing features, for example, I don’t talk about the undeniably slick Match EQ function or the Dynamic EQ, but the five I’ve chosen are things I use and value every time I use this powerful EQ plugin. ![]() Rather than try to talk about all of them today I thought I’d highlight five. There are lots and lots of reasons you need to check this EQ out if you aren’t already a user. Why? If You Haven’t Tried Pro-Q3 Yet, Here Are Five Reasons You Should But the Pro-Q3 still seems to be the one to beat. If you can’t mix with these the problem is you, not your EQ. ![]() I don’t mean character EQs which recreate Pultecs and Neves but offerings from the likes of GML, Sonnox, DMG, Waves and iZotope which are fantastic tools. There are lots of really excellent third-party equalisers out there. So Many Good Alternatives To Stock EQ Plugins It might not be but I would be surprised if it weren’t. I’d be surprised if Pro-Q3 wasn’t the most popular third party EQ out there. However, it occurs to me that, if such data were available, we’d find that Pro-Q3 is so popular that its ubiquity is approaching that of stock DAW equalisers. That is the undeniable advantage of staying with stock plug-ins. They sound as good as any utility EQ, we know them inside out and we are safe in the knowledge that anyone who uses our DAW of choice will have access to the same EQ. As a result, it is rightly popular but so many of us, including me until relatively recently, have been perfectly happy with our stock DAW EQs. ![]() Sugi Dakks) - Ĭonsider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.FabFilter’s Pro Q3 has achieved something quite remarkable in a short time, Pro-Q3 and its predecessor Pro-Q2 have taken the ubiquitous workhorse EQ as found in every DAW and lifted it to a new level of sophistication and capability. You can listen to the song we discussed in the "Sauce" segment here: "Humpty" by Triple D (Feat. ***Join the Secret Sonics Discord community here(!) - discord.gg/UP97b72W6t Save 50% off your first 3 months of Easy Funnels at - Ĭlick here to listen to "Thanks for Thinking". Save 20% off your first year of Filepass at. We also chat about lessons learned from Bob Horn, the importance of finding a mentor, making music for fun, bouncing stems, going all in on what you love, and so much more! Check it out! He goes deep on his approach to recording and mixing including separating the elements of a mix, using his competitive drive, focusing on the low end, and getting great drum tones. Shachar "Shak" Boussani is a mixing and recording engineer based out of LA, CA, USA! In our chat, Shachar shares his journey being inspired to move to a big music city on a trip to London, moving to Los Angeles, working in post-production, eventually opening a recording studio, and most recently working for big-time mixer, Bob Horn. ![]()
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